September, 2020

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Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical

Antique-Portrait-Painting-Ship-Sailing-in-Moonlight-Oil-on-Canvas-Nautical-01-owtc Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical
Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical
Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical
Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical
Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical

Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical
This is a fine painting of a sailing vessel in moonlight. Signed lower right, although it is too faint for me to read, and dated what looks like 1913. The painting measures 25″ x 20 1/2″ and is displayed in a period deep gilt wood and gesso frame measuring 30 3/4″ x 25 3/4″. Condition: Other than some light craquelure to the painting, it appears to be in very good condition. The frame shows very light wear. Thanks for stopping by. The item “Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical” is in sale since Wednesday, May 15, 2019. This item is in the category “Art\Paintings”. The seller is “coyotemoonantiques” and is located in East Sandwich, Massachusetts. This item can be shipped to United States, China, Brazil, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Viet nam, Uruguay, Switzerland.
  • Size: Medium (up to 36in.)
  • Listed By: Dealer or Reseller
  • Painting Surface: Canvas
  • Medium: Oil
  • Date of Creation: 1900-1949
  • Features: Framed
  • Subject: Nautical
  • Originality: Original

Antique Portrait Painting Ship Sailing in Moonlight Oil on Canvas Nautical

Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco

Antique-Portrait-Painting-Iconic-Estate-Female-Model-Pretty-Antonio-Barone-Deco-01-bfc Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco

Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco
No Reserve Fine Art Auctions. Overview : OIL PAINTING ON CANVAS. PAINTING NEEDS A CLEANING AND SMALL PATCH. MY PRICE IS BASED ON ITS QUALITY , AGE. Measurements : Painting 30 x 48 inches. Framed 32 x 50 inches. PAINTING NEEDS MINOR REPAIRS. Thank you for visiting!! Be sure to visit our store!!! New items every day! If possible, avoid PO BOX deliveries or tell your PO BOX provider you want to accept UPS deliveries. The item “ANTIQUE PORTRAIT PAINTING ICONIC ESTATE FEMALE MODEL PRETTY ANTONIO BARONE DECO” is in sale since Tuesday, August 20, 2019. This item is in the category “Art\Paintings”. The seller is “samuelcollection” and is located in San Diego, California. This item can be shipped worldwide.
  • Size: Large (up to 60in.)
  • Region of Origin: Unknown
  • Style: Surrealism
  • Listed By: Dealer or Reseller
  • Quantity Type: Single-Piece Work
  • Painting Surface: Canvas
  • Medium: Oil
  • Date of Creation: 1970-1989
  • Features: Framed
  • Subject: Portrait
  • Originality: Original

Antique Portrait Painting Iconic Estate Female Model Pretty Antonio Barone Deco

Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930’s Dr Seuss

Rare-Vintage-P-M-Van-Zwoll-Goblin-Devil-Fairy-Tale-Oil-Painting-1930-s-Dr-Seuss-01-ag Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss

Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss
Cool Vintage signed Goblin Devil Fairy Tail Oil Painting 1920’s – 1930’s era, Looks like Dr. This looks to be painted around the 1930’s. IMAGE MEASURES 14″ by 18″ TOTAL MEASUREMENT IS 14 1/2 ” by 18 1/2″. It looks 100% better in person and displays well. IF YOU LIVE OUTSIDE OF THE U. SEE MY OTHER AUCTIONS FOR SIMILAR ITEMS….. THANKS FOR VIEWING, JAKE. The item “Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930’s Dr Seuss” is in sale since Monday, October 28, 2019. This item is in the category “Art\Paintings”. The seller is “floridapicker2010″ and is located in Cape Coral, Florida. This item can be shipped to United States, Mexico, Bermuda.
  • Size: Large (up to 60in.)
  • Region of Origin: US
  • Artist: Philippine M Van Zwoll
  • Style: Impressionism
  • Listed By: Dealer or Reseller
  • Painting Surface: Canvas
  • Medium: Oil
  • Framed/Unframed: Framed
  • Date of Creation: 1900-1949
  • Original/Reproduction: Original
  • Features: Signed
  • Subject: Fairies
  • Originality: Original

Rare Vintage P. M Van Zwoll Goblin Devil Fairy Tale Oil Painting 1930's Dr Seuss

Large Fine Western Cowboy Painting Antique Farm Early California Landscape

Large-Fine-Western-Cowboy-Painting-Antique-Farm-Early-California-Landscape-01-xuge Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Large Fine Western Cowboy Painting Antique Farm Early California Landscape

Large Fine Western Cowboy Painting Antique Farm Early California Landscape
Overview : 1940’S OIL ON CANVAS. ANY HELP ON FULL NAME? Measurements : PAINTING 25 BY 30 INCHES. FRAMED 32.5 BY 37.5 INCHES. DUE TO SIZE I WILL NOT OFFER A RETURN ON THIS ITEM. Thank you for visiting!! If possible, avoid PO BOX deliveries or tell your PO BOX provider you want to accept UPS deliveries. The item “LARGE FINE WESTERN COWBOY PAINTING ANTIQUE FARM EARLY CALIFORNIA LANDSCAPE” is in sale since Saturday, August 24, 2019. This item is in the category “Art\Paintings”. The seller is “samuelcollection” and is located in San Diego, California. This item can be shipped to United States.
  • Size: Medium (up to 36in.)
  • Region of Origin: US
  • Style: Impressionism
  • Listed By: Dealer or Reseller
  • Quantity Type: Single-Piece Work
  • Painting Surface: Canvas
  • Medium: Oil
  • Date of Creation: 1900-1949
  • Features: Framed
  • Subject: Western
  • Originality: Original

Large Fine Western Cowboy Painting Antique Farm Early California Landscape

Signed Original Leo Jansen Nude Oil Painting Vintage 1970’s Playboy Artist

Signed-Original-Leo-Jansen-Nude-Oil-Painting-Vintage-1970-s-Playboy-Artist-01-ssb Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist
Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist
Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist
Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist
Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist

Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist
Add this beautiful signed original nude oil on canvas painting by Playboy and celebrity commissioned artist Leo Jansen to your home or collection. 18″ x 24″ and 26″ x 32″ framed. Jansen’s signature is in 3 places on the painting; on the front right bottom corner, as well as a thumb print with signature, and stamped signature on the back of painting. Date 1979 on the back of painting. Series collection #54321 J-80. The painting and frame overall are in very good condition. Minor flaws include small holes in frame which can be repaired easily. Born in the Netherlands, moved to the Dutch East Indies (Indonesia) when he was ten. There in the tropics, he began his craft by sketching bronze-skinned Indonesian girls for leisure. Like most continental artists, he gravitated first to Paris and quickly established himself as a portraitist of considerable talent. In 1962, he arrived in New York. Because of the softness and light he infused his portraits, he was chosen by several companies to do commemorative plates. Jansen is, perhaps, best known throughout the United States and Europe for his mother’s day plates and puppies plate series. Many of the rich and famous such as Raquel Welch, William Holden, Donald Sutherland, Stephanie Powers, and the LA Times Hearst family. In addition, he also gained fame for his portraiture of The Beatles and The Rolling Stones. His Beatles portraits are among the more collectible memorabilia by fans. But despite his national reputation as a portrait artist, he refused many of those demand and resumed his childhood love affair of painting nudes. He then moved to Southern California. For eighteen years, he was commissioned by Playboy Magazine to paint the playmate of the month. In his first six years, he was the artist chosen to paint 58 of the 72 portraits. His works hang in the Hugh Hefner’s Playboy corporate headquarters and in the mansion. Ranked among the nation’s best interpretive artist of nudes, Jansen’s canvases hang in collection of a wide range of notables from Jean-Claude Pascal to the late Judy Garland. The item “Signed Original Leo Jansen Nude Oil Painting Vintage 1970’s Playboy Artist” is in sale since Thursday, August 2, 2018. This item is in the category “Art\Paintings”. The seller is “alistreasures” and is located in Seymour, Connecticut. This item can be shipped to United States.
  • Medium: Oil
  • Subject: Nudes
  • Date of Creation: 1970-1989
  • Style: Realism
  • Originality: Original
  • Listed By: Artist
  • Artist: Leo Jansen
  • Painting Surface: Canvas
  • Features: Signed
  • Size: Medium (up to 36in.)

Signed Original Leo Jansen Nude Oil Painting Vintage 1970's Playboy Artist

Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820

Portrait-of-Leopold-I-King-of-Belgians-oil-painting-on-canvas-circa-1820-01-aqk Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820

Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820
Possible attribution of the historical person on the portrait. 1 Portrait of Prince Leopold I of Saxe-Coburg by George Dawe. The other two attributions are not likely and the inscription on the painting was made lately by mistake. 2 Portrait of British General Sir Thomas Picton, killed in action at Waterloo, in 1815. 3 Prince Joachim Murat, King of Naples, brother in law of Emperor. Sir William Beechey (1753 – 1839). Jacques-Louis David (1748 1825). Sir Martin Archer Shee (1769 1850) – high probability. Size of the frame: 29 x 25 = 72.5 cm x 62.5 cm. Size of the stretcher: 24 x 20 = 60 cm x 50 cm. Weight of the frame: 15 lb. = 6.75 kg. The lamp on the top of the frame was removed. In the right upper corner there is a message in English. Served in Paris under the Duke of Wellington. Killed in action and _____________Cavalry 1815. At the back of the frame there is inscription in old ink. The painting is not signed. Bought in Paris, France, in 1945, after Second World War. More provenance is available on demand. Version of Leopold I, King of Belgians. Leopold I (Léopold Georges Chrétien Frédéric ; 16 December 1790 10 December 1865) was from 21 July 1831 the first King of the Belgians, following Belgium’s independence from the Netherlands. He was the founder of the Belgian line of the House of Saxe-Coburg and Gotha. His children included Leopold II of Belgium. And Carlota of Mexico. Empress-Consort of Maximilian I of Mexico. He was a maternal uncle and adviser of Queen Victoria. He was born in Coburg. And died in Laeken. By birth, he was a Prince of Saxe-Coburg-Saalfeld. Later a Prince of Saxe-Coburg and Gotha. And Duke of Saxony. Leopold was the youngest son of Francis, Duke of Saxe-Coburg-Saalfeld. And Countess Augusta Reuss-Ebersdorf. And later became a prince of Saxe-Coburg and Gotha. After Saxe-Coburg acquired Gotha from Saxe-Gotha-Altenburg. In 1826 and yielded Saalfeld to Saxe-Meiningen. In 1795, as a mere child, Leopold was appointed colonel of the Izmaylovsky Guards Regiment in Russia. Seven years later, he became a major general. When Napoleonic troops occupied the Duchy of Saxe-Coburg in 1806 Leopold went to Paris. Emperor Napoleon I offered him the position of adjutant, but he refused. Instead, he took up a military career in the Imperial Russian Cavalry. He campaigned against Napoleon and distinguished himself at the Battle of Kulm. At the head of his cuirassier. In 1815, at the age of 25, Leopold reached the rank of lieutenant general. In the Imperial Russian Army. Version of Prince Murat. Prince Murat is a title created by Emperor Napoleon I. For his brother-in-law Joachim Murat. Who would serve as King of Naples. On the 5 December 1812 Joachim’s second son Lucien. Was also created sovereign Prince of Pontecorvo. In the Kingdom of Naples. , in succession to Jean-Baptiste Jules Bernadotte. By an Imperial Decree. The Prince of Pontecorvo title is still used to this day for the heir to the Prince Murat. Version of British General Thomas Picton. The portrait was probably made in his younger years and the writing on obverse was made in 1815 or couple of years later. Appearance of Thomas Picton. In person Captain Picton was at this time tall and well proportioned, approaching the athletic ; his height about 6 feet one inch, and his features large but well formed. The natural expression of his face was stern and dignified; but his smile dispelled at once a repulsive expression, which sometimes hung upon his brow. None whoever saw that smile could deny that it betokened a warm and generous heart. His eyes were brilliant and expressive; his voice sharp , and his manner of speaking quick and animated. But in the field, his tone of voice was totally altered; it was there full and deep. Every word was calm and impressive, and its effect upon his soldiers was apparent in the increased confidence of their charge. Picton, thus resolved to prepare himself for any rank in his profession to which fortune might elevate him, applied with ardour to every persuit. And it was during this long interval of privacy that he laid the foundation of his after fame, and qualified himself to compete for a place among the heroes of his country. Memoires of Lietenant General Sir Thomas Picton V1, Part 1. Including his correspondence, from originals in posession of his family (1836), p. Biography of Thomas Picton. Picton was the younger son of Thomas Picton, and was born in Poyston. In 1771 he obtained an. 12th Regiment of Foot. But he did not join until two years later. The regiment was then stationed at. Where he remained until he was made. The regiment was disbanded five years later, and Picton quelled a mutiny amongst the men by his prompt personal action and courage, and was promised the rank of. He did not receive it, and after living in retirement on his father’s estate for nearly twelve years, he went out to the. In 1794 on the strength of a slight acquaintance with Sir John Vaughan, the commander-in-chief, who made him his aide-de-camp and gave him a captaincy in the. Shortly afterwards he was promoted major in the. Career in the New World. Lieutenant colonel of 56. Foot at St Lucia and St Vincent. Senior Member of Commission of Trinidad. Local rank of lieutenant-general, Spain. Knight of the Order of the Bath. By the Prince Regent. And in June he was made a. He received for the seventh time the thanks of the. For his great services. He was made a. Or Dame Grand Cross. The Most Honourable Order of the Bath (formerly The Most Honourable Military Order of the Bath). On 18 May 1725. The name derives from the elaborate. Ceremony for creating a. (as a symbol of purification) as one of its elements. The knights so created were known as Knights of the Bath. High command in the Anglo-Dutch army. Killed at the battle of Waterloo. General Sir Thomas Picton c. Who succeeded Vaughan in 1795, he was present at the capture of. After which he was promoted to. And then that of. After the reduction of. Abercromby made Picton governor of the island. For the next 5 years he held the island with a garrison he considered inadequate against the threats of internal unrest and of reconquest by the Spanish. He ensured order by vigorous action, viewed variously as rough and ready justice or as arbitrary brutality. In October 1801 he was. During the negotiations leading to the. Many of the British inhabitants petitioned against the return of the island to Spain; this together with Picton’s and Abercromby’s representations, ensured the retention of Trinidad as a British possession. By then, reports of arbitrariness and brutality associated with his governorship had led to a demand at home for his removal. Mistress was believed to be corruptly influencing his decisions. Furthermore, Trinidad no longer faced any external threat, the. Ministry had fallen and the new. Administration did not want Trinidad to develop the. (17541808) was appointed as the Senior Member of a commission to govern the island. Became the second member, and Picton himself the junior. Fullarton had a very different background from Picton. He came from a wealthy and long-established Scots land-owning family and was a. A Fellow of the. An improving landlord, and a patron of. He had been a junior diplomat, before in the course of the. American War of Independence. Raising a regiment of which he naturally became the Colonel. He ended that war in India commanding an army of 14,000 men in operations against. Following which he had written an influential pamphlet arguing that the. Had brought trouble on itself by its unprincipled treatment of native princes and native subjects and that a more humane policy than “let them hate so long as they fear” would be more effective in securing its position. The new Secretary of State for the Colonies. Had served as Governor of Madras soon after the pamphlet came out, knew Fullarton, and had been influenced by his views. Picton’s policy with respect to various sections of the island population had effectively been “let them hate so long as they fear” and he and Fullarton rapidly fell out. This, of itself, further worsened the rift: Fullarton’s Indian pamphlet had also reported adversely on conflicts of interest and dissension between the English having weakened their ability to govern well, to negotiate effectively, and to effectively defend their possessions. Fullarton commenced a series of open enquiries on allegations against Picton and reported his unfavourable views on Picton’s past actions at length to meetings of the commission. Picton thereupon tendered his resignation and was soon followed by Hood (1803). Picton joined Hood in military operations in St Lucia and. To face charges brought by Fullarton. In December 1803 he was arrested by order of the. The majority of the charges against Picton were dealt with by the Privy Council. They related principally to excessive cruelty in the detection and punishment of practitioners of. Severity to slaves, and of execution of suspects out of hand without due process. Only the latter class of charge seems to have seriously worried the Privy Council, and here Picton’s argument that either the laws of Trinidad, then still the laws of the former Spanish colonial power, or’the state of the garrison’ justified the immediate execution in the cases specified eventually carried the day. He was, however, tried in the court of King’s Bench before. In 1806 on a single charge; the. Torture (but not the specific form) had been requested in writing by a local magistrate and approved in writing by Picton. Was a version of a British military punishment and consisted in principle of compelling the trussed up suspect to stand on one toe on a flat-headed peg for one hour on many occasions within a span of a few days. In fact Luisa was subjected to one session of 55 minutes, and a second of 25 minutes the following day. The period between Picton’s return and the trial had seen a pamphlet war between the rival camps, and the widespread sale of engravings showing a curious British public what a personable 14-year-old mulatto girl being trussed up and tortured in a state of semi-undress might look like. The legal arguments, however, revolved on whether Spanish law permitted torture of suspects: on the evidence given, the jury decided that it did not and Picton was found guilty. Picton promptly sought a retrial, which he got in 1808. At this, other credible witnesses were brought forward by Picton’s supporters to testify to the (Spanish) legality of torture, its application in the recent past, and that Luisa Calderon had been old enough to be legally tortured. The jury reversed the verdict of the earlier trial but asked for the full court to consider the further argument of the prosecution that torture of a free person was so repugnant to the laws of England that Picton must have known he could not permit it. Whatever Spanish law authorized. The full court never reached a decision on this; there were legal precedents to this general effect from the British occupation of. And a practical precedent from the British seizure of the. Cape of Good Hope. From the Dutch, but it remained to demonstrate that Picton should have known this, and by now Fullarton was dead and Picton a war hero. Friends of Picton in the military and among slave owners subscribed towards his legal expenses. In 1810, at Wellington’s request, he was appointed to command a division in Spain. For the remaining years of the Peninsular War, Picton was one of Wellington’s principal subordinates. The commander-in-chief, it is true, never reposed in him the confidence that he gave to. But in the resolute, thorough and punctual execution of a well-defined task Picton had no superior in the army. His debut, owing partly to his naturally stern and now embittered temper, and partly to the difficult position in which he was placed, was unfortunate. In July 1810 Craufurd’s division became involved in an action, and Picton, his nearest neighbour, refused to support him, as Wellington’s direct orders were to avoid an engagement. Shortly after this, however, at. Picton found and used his first great opportunity for distinction. Here he had a plain duty, that of repulsing the French attack, and he performed that duty with a skill and resolution, which indicated his great powers as a troop-leader. After the winter in the. Lines of Torres Vedras. He added to his reputation and to that of his division, the’Fighting’ 3rd, at the. Battle of Fuentes de Onoro. In September he was given the local rank of lieutenant-general, and in the same month the division won great glory by its rapid and orderly retirement under severe pressure from the French cavalry at El Bodon. In October Picton was appointed to the colonelcy of the. 77th Regiment of Foot. In the first operations of 1812 Picton and Craufurd, side by side for the last time, stormed the two breaches of. Craufurd and Picton’s second in command, Major-General. A month later, the successful storming of the fortress was due to his daring self-reliance and penetration in converting the secondary attack on the castle, delivered by the. Into a real one. He was himself wounded in this terrible engagement, but would not leave the ramparts, and the day after, having recently inherited a fortune, he gave every survivor of his command a guinea. His wound, and an attack of fever, compelled him to return to Britain to recoup his health, but he reappeared at the front in April 1813. While in Britain he was invested with the collar and badge of a. Picton led his division across a key bridge under heavy fire. According to Picton, the enemy responded by pummeling the 3rd with 40 to 50. And a counter-attack on their right flank (which was still open because they had captured the bridge so quickly) causing the 3rd to lose 1,800 men (over one third of all Allied losses at the battle) as they held their ground. The conduct of the 3rd division under his leadership at the. And in the engagements in the. Raised his reputation as a resolute and skilful fighting general to a still higher point. Early in 1814 he was offered, but after consulting Wellington declined, the command of the British forces operating on the side of Catalonia. He thus bore his share in the. And in the final victory before. On the break-up of the division the officers presented Picton with a valuable service of plate, and on 24 June 1814 he received for the seventh time the thanks of the. Somewhat to his disappointment he was not included amongst the generals who were raised to the peerage, but early in 1815 he was made a. Picton, at Wellington’s request, accepted a high command in the Anglo-Dutch army. He was severely wounded at. On 16 June, but concealed his wound and retained command of his troops. Two days later, while in command of the. While repulsing with impetuous valour “one of the most serious attacks made by the enemy on our position”, he was shot through the temple by a musket ball, making him the highest ranking victim of the battle on the allied side. Since his luggage had not arrived in time, he had fought the battle wearing civilian clothes and a. Welsh folklore says that his top hat was shot off by a. Moments before his death, but this is not known to be backed by any historical source. Family folklore contends that he did not ride out in tails but in his night shirt and top hat because he had overslept, and he died at the hands of one of his own men who shot him in the back of the head because they hated him so much. Again this is not backed by any historical source. Announcing his death in his typically laconic style, Wellington wrote to Minister of War, Lord Bathurst. In Lieutenant-general Sir Thomas Picton, his majesty has sustained the loss of an officer who has frequently distinguished himself in his service; and he fell, gloriously leading his division to a charge with bayonets, by which one of the most serious attacks made by the enemy of our position was defeated. His body was brought home to London, and buried in the family vault at. St George’s, Hanover Square. A public monument was erected to his memory in. St Paul’s Cathedral. By order of parliament, and in 1823 another was erected at. By subscription, the king contributing a hundred guineas. The Duke of Wellington, painted in 1814, several months before the Battle of Waterloo, by the artist Sir Thomas Lawrence. The item “Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820″ is in sale since Monday, August 6, 2012. This item is in the category “Art\Paintings”. The seller is “ukr10″ and is located in Clearwater Beach, Florida. This item can be shipped worldwide.
  • Original/Reproduction: Original
  • Listed By: Dealer or Reseller
  • Signed?: Unsigned
  • Medium: Oil
  • Subject: Celebrities & Musicians
  • Style: Realism
  • Size Type/Largest Dimension: Medium (Up to 30″)
  • Date of Creation: Pre-1800
  • Region of Origin: Europe

Portrait of Leopold I, King of Belgians, oil painting on canvas, circa 1820

18th Century painting old Master Antique 17th century

18th-Century-painting-old-Master-Antique-17th-century-01-di 18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century
18th Century painting old Master Antique 17th century

18th Century painting old Master Antique 17th century
This Painting, which measures – Height-123cm Width-77cm , is a stunning work of religious art from the 19. The painting was recovered from a chapel left in ruins during WWII. It has since been displayed at a chapel, that recently closed it’s doors, in Paris France. The painting boasts vibrant colors that reflect the delicate hand of an old master, but no signature anywhere. Every brush stroke breaths life onto a dramatic composition that leads the eye through an emotional scene of the Crucifixion. The depth of the painting is remarkable, the details are gracefully done and the colors radiate from the painting. There is no serious damage, just ware around the edges of the canvas. The back has a number that relates to the stage of Jesus’ Crucifixion. This is a true work of art. The item “18th Century painting old Master Antique 17th century” is in sale since Friday, September 22, 2017. This item is in the category “Art\Paintings”. The seller is “alexm123122013″ and is located in Clint, Texas. This item can be shipped worldwide.
  • Region of Origin: Europe
  • Listed By: Dealer or Reseller
  • Quantity Type: Single-Piece Work
  • Painting Surface: Canvas
  • Medium: Oil
  • Date of Creation: 1800-1899
  • Subject: Christ
  • Originality: Original

18th Century painting old Master Antique 17th century

2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)

2011-US-Acrylic-Painting-Gay-Art-Ginger-Love-by-Tony-De-Carlo-1956-2014-Nic-01-uk 2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)

2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)
I appreciate your courtesy! The condition is described above for more information please check the photos. Painting 36 inches x 24 inches. More about the artist. Tony de Carlo is a native of Los Angeles, now residing in Savannah, Georgia. A self-taught artist, he has been creating art on a daily basis since his childhood. His work is exhibited regularly in museums and galleries throughout the United States, and his paintings are in collections around the world. The paintings of Tony de Carlo have been exhibited at. The Frye Art Museum (Seattle), Santa Monica Museum of Art, The Carnegie Art Museum, The Mexican Museum (San Francisco), Palm Springs Desert Museum (California), Riverside Art Museum Art, Art Museum of South Texas (Corpus Christi), The Santa Paula Museum (California), The Downey Museum of Art (California), Laguna Art Museum, California State University Los Angeles, Baltimore Convention Center (FolkFest), Mexican-American Cultural Art Center (Tucson, AZ), Los Angeles Art Expo, University of the Arts (Philadelphia), Whittier College Greenleaf Gallery (California), SPARC and UCLA Caesar Chavez Center, Galeria de la Raza (San Francisco), Arizona State University (Tempe), Mission Cultural Center for Latino Arts (San Francisco), Los Angeles City College da Vinci Gallery, Don O’Melveny Gallery (West Hollywood), Encantada Gallery of Fine Arts (San Francisco), Jose Galvez Gallery (Tucson), Plaza de la Raza (Los Angeles), Tatewari Gallery (Sedona), Barnsdall Municipal Art Gallery (Los Angeles), John Thomas Gallery (Santa Monica), Liz Blackman Gallery (Hollywood), The Museum of African-American Art (The Los Angeles Festival), Amaru Gallery (San Francisco) and Dezart One Gallery (Palm Springs) El Pueblo Gallery – El Pueblo Historical Monument, Los Angeles, and his work was featured in the 2002 season of “Pageant of the Masters” in Laguna, California. More pictures are available!!! It is important to know when purchasing items that. Please keep this in mind. As your ratings have immediate discount or listing-standing consequences for me. Thank you for understanding!! Charge you my costs. For all packing materials used. And everything has to be. To give you an idea, a. If it is not a free one from the Post Office, costs between. And I usually use at least 3 or 4 feet or more for breakable items. Per box (book box size) will be between. The item “2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)” is in sale since Thursday, May 3, 2018. This item is in the category “Art\Paintings”. The seller is “andresharnischbrokerageinc” and is located in Honolulu, Hawaii. This item can be shipped worldwide.
  • Subject: Men
  • Medium: Acrylic
  • Date of Creation: 2000-Now
  • Listed By: Dealer or Reseller
  • Originality: Original
  • Size: Medium (up to 36in.)
  • Style: Whimsical
  • Region of Origin: US
  • Width (Inches): 24
  • Height (Inches): 36
  • Color: Multi-Color
  • Painting Surface: Canvas
  • Features: Signed
  • Year: 2011
  • Quantity Type: Single-Piece Work
  • Artist: Tony De Carlo (1956-2014)

2011 US Acrylic Painting Gay Art Ginger Love by Tony De Carlo (1956-2014)(Nic)

Thierry Noir Classic Head Signature Original Signed Acrylic Canvas SOLD OUT Stik

Thierry-Noir-Classic-Head-Signature-Original-Signed-Acrylic-Canvas-SOLD-OUT-Stik-01-evj Thierry Noir Classic Head Signature Original Signed Acrylic Canvas SOLD OUT Stik

Thierry Noir Classic Head Signature Original Signed Acrylic Canvas SOLD OUT Stik
A canvas from 2020 from one of street arts pioneers. Thierry Noir is in the middle of a big breakthrough, and he is saying, that he will have shows in Tokyo, LA, New York, Paris, Seul. This is your chance to acquire a real canvas, before prices go crazy. This one has pretty rare colours. Raw canvas as head and a golden color as background. The item “Thierry Noir Classic Head Signature Original Signed Acrylic Canvas SOLD OUT Stik” is in sale since Friday, September 4, 2020. This item is in the category “Art\Art Prints”. The seller is “art_man_2020″ and is located in Copenhag. This item can be shipped worldwide.
  • Subject: Street Art
  • Style: Cartoon
  • Originality: Original
  • Print Surface: Canvas
  • Artist: Thierry Noir
  • Features: Signed

Thierry Noir Classic Head Signature Original Signed Acrylic Canvas SOLD OUT Stik

Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar

Samuel-VEKSLER-b1966-cubist-large-original-signed-canvas-oil-painting-My-Guitar-01-nqt Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar

Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar
Samuel VEKSLER b 1966 cubist original signed canvas oil painting My Guitar. Signed by the artist, lower left. Samuel Veksler was born in Vitebsk, Russia where he was heavily influenced by the work of his fellow townsmen Chagall, Perelman and Frenkel. He specialise in cubist masterpieces including portrait and still life. The artist studied art at the Fine Art Institute of Vitebsk and lives in St Petersburg where he has a studio. His works are in collections worldwide and are extremely sought after. This is one of his largest and most beautiful paintings. The artwork is ready to hang, on canvas stretcher unframed, and is in perfect condition. The painting measures 655mm x 540mm. The item “Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar” is in sale since Thursday, June 28, 2018. This item is in the category “Art\Paintings”. The seller is “pinkhorsey_helen” and is located in Gateshead. This item can be shipped to United Kingdom, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech republic, Denmark, Estonia, Finland, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Australia, United States, Bahrain, Canada, Brazil, Japan, New Zealand, China, Israel, Hong Kong, Norway, Indonesia, Malaysia, Mexico, Singapore, South Korea, Switzerland, Taiwan, Thailand, Bangladesh, Bolivia, Brunei darussalam, Ecuador, Egypt, Guernsey, Gibraltar, Guadeloupe, French guiana, Iceland, Jersey, Cambodia, Liechtenstein, Macao, Monaco, Martinique, Nicaragua, Pakistan, Peru, Paraguay, Saudi arabia, United arab emirates, Bahamas, Jamaica, Kuwait, Panama, Qatar, Uruguay, Viet nam, France, Bermuda, Barbados, Cayman islands, Jordan, Sri lanka, Maldives, Oman, Reunion, South africa, Colombia.
  • Size: Medium (up to 36in.)
  • Artist: Samuel VEKSLER
  • Colour: Multi-Colour
  • Style: Cubism
  • Listed By: Dealer or Reseller
  • Medium: Oil
  • Date of Creation: Contemporary (1980-Now)
  • Features: On canvass stretcher
  • Width (Inches): 540mm
  • Subject: Portraits
  • Originality: Original
  • Height (Inches): 655mm

Samuel VEKSLER b1966 cubist large original signed canvas oil painting My Guitar