By Germain Fabius Brest. Germain Fabius Brest Orientaliste Istanbul Original Oil Painting On Canvas. The painting is very old and comes with a gold tone frame. The dimensions of the painting are 8,3″x13,8″ and framed are 18.5″x23.6″. Wikipedia Istanbul art scene in the second half of 19th century France that Germain Fabius Brest reputation as a painter (Marseille 1823-Marseille, 1900), one of the main creative picturesque of Istanbul. French artist whose works are in various state museum at Topkapi Palace Museum and the tables are located in many private collections. Brest has been particularly sought after and popular artists of the private collection of Orientalist paintings created after 1980 in Turkey. Istanbul’s completely losttoday a nostalgic longing for the picturesque corner of his paintings can be found again. Troyon, one of the well-known painters of the Barbizon School, the landscape is a master image and especially loves to work outdoors. In 1833 he started to participate in the Paris Salon in 1846 while working in ödüllendirilmitir. Hall Brest workshop with 1st class medal is understood that Troyon between leading representatives of the official views of Paris. Brest Troyon atmosphere with materials and colors are taught how to tell. Both professors also known for his mastery of the art in the landscape genre has a privileged location Loubon Brest Émile life. During his education at the School of Barbizon Paris Loubon relations with its artists have influenced his view of understanding, studies based on observations made by nature outdoors, nature has been replaced by artificial fictionalized portrayal of the workshop. Artist visual memories of the four years he spent from 1855 until1859, Turkey has told in pictures for about forty years. Romance reigns era artists who work within the limits of the life of Istanbul, the Bosphorus, the Golden Horn, the streets filled with people Üsküdar, described the mosques and fountains. After a period of very fruitful trip to Turkey in terms of the art of Brest stayed in Venice and visited Algeria. Oil and watercolor artist returning to work from an important trip also tiles, weapons, has created a collection of objects. Brest coach has decided to come to Istanbul with Émile Loubon’s recommendations. Fabius Brest at the Paris Salon Brest Istanbul photos have begun to take place at the Paris Salon from 1857 andartist participation in the hall throughout the entire artistic life of the sürdürmütür. Brest exhibited at the 1864 Salon “in Beykoz Bosphorus Strait” and”Trabzon, a caravanserai” has continued to receive positive opinion of the critics of his book. About Edmond is the official artist of the increasingly developed, refined and writing is sincere; Théophile Gautier, colorful houses, minarets, cypress and oak trees, woods and the Bosporus with boats that perfectly reflects the unique qualities; Trabzon themed picture in itself is interesting wooden architecture of the audience, in front of the caravanserai depicted with vivid colors, speaks of the passengers will want to find is located between the characteristics of clothing. Fabius Brest in 1865 reflected the accumulated knowledge acquired in the Paris Salonin Istanbul and earned him the true nature of the Orientalist. Artist exhibited at the Paris Salon of 1873 “in Istanbul Sultana Khan” atthe table today in Cairo, is located in the Manial Palace Museum belongs to the old Mehmet Ali Tevfik collection. In the 19th century one of the busiest stretches of road Divanyolu Istanbul Beyazit Square with the Sultan Ahmet. The most important places where people come together in Istanbul, as well as mosques, bazaars and the environment are complex. Religious and secular spaces that combine functionality with architecture and colorful crowd has always attracted the attention. Fabius Brest life in the Bosphorus coast, has made a lot of pictures that deal with nature and architecture. Bosphorus villages are inhabited settlement in winter and summer away from the city center. In the 19th century, and began winning resort features sumptuous palaces and residences with modest homes on theseshores where the mansion is located side by side. Not seaside palace of the artist pictures and big mansions inhabited by indigenous peoples, but he preferred to describe brightly painted houses. Fabius Brest city’s Job during his stay in Istanbul, Üsküdar, Arrow Square, Eminonu, Hippodrome, Hagia Sophia and the environment, Bab-i Humayun, Armory Square, Divanyolu, Arnavutkoy Beykoz, Rumeli Fortress, Baby, Küçüksu Fountain, Büyükdere Prairie, Galata Tower, the district, such as the Seraglio, Eyup and the Üsküdar Pier, was the subject of the pictures and the fishing boats in the Bosphorus; From 1857 to 1896 showed about fifty canvas Paris Salon in Turkey. Brest lived for four years, the atmosphere, the light, the colors absorb the statements made in this city, not only in terms of the pictorial quality, but Istanbul is also very important in terms to introduce in Europe. Artist’s works have been taken by many states. Paris Salon “Turkey expert” of daily life known as the place offers Fabius Brest table in the foreground landscape oriental decor. He works in chasing picturesque view, it almost stereotyping that vividly colored wooden house groups, shady tree clusters, mosques with their white minarets and domes, squares fountains, throat sailing stated using the moving group of people with different ethnic clothing. Artists like other Orientalist painters working in Istanbul’s old city, away from the influence of westernization, narrow and irregular streets, has been subject to the old quarter of the table with almost abutting wooden houses. Landscapes likes to tell the small settlements in the Bosphorus and Golden Horn in Brest, in the picture, although he had known very closely Istanbul rather than transfer the actual image is perceived to reflect a poetic world in which the city itself. Artist images collected from different places from time to time, using a combination aimed to strengthen the picturesque effect “whim” is refrain from creating s. Often work together in dealing with the new reality and imagination are in Brest, the data highlighted the importance of light and light colors. Often it uses light colors. The composition of the picture to the left or right grouped houses, a small neighborhood coffee house, sycamore trees, rising from a white background mosque in Istanbul ahead of the colorful clothes that continue their daily lives is seen. It is the dominant element of the Ottoman religious and civil architecture of almost any building. Located in the small figures at the forefront of the landscape, the colors of the clothes are of interest for them as well as the phrases they won due to the falling light. The atmosphere of this picturesque period used in Brest addresses Orientalist works appreciation. This approach is sovereign over all. His works and creates the unique aspects of art. The item “ORIGINAL FABIUS GERMAIN BREST Orientalist Istanbul Signed Oil on canvas” is in sale since Saturday, October 20, 2018. This item is in the category “Art\Paintings”. The seller is “g2015m” and is located in Brooklyn, New York. This item can be shipped to United States.

• Medium: Oil
• Subject: Figures & Famous Places Istanbul Orientalist
• Date of Creation: 1800-1899
• Size Type/Largest Dimension: Medium (Up to 30in.)
• Style: Orientalist
• Original/Reproduction: Original
• Signed?: Signed
• Region of Origin: Europe
• Listed By: Dealer or Reseller