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DAVID BROMLEY At The Farm Original Polymer on Canvas 150cm x 240cm (Diptych)

DAVID BROMLEY At The Farm Original Polymer on Canvas 150cm x 240cm (Diptych)

DAVID BROMLEY At The Farm Original Polymer on Canvas 150cm x 240cm (Diptych)
DAVID BROMLEY (1960 -) Original Synthetic Polymer Painting on Canvas. Title: At The Farm Signed: Lower Left Image Size: 150cm x 240cm (Diptych – Each Canvas is 150cm x 120cm) Condition: Excellent. Stretched and ready to hang. You can also come view this work and many others in our Surry Hills Gallery in Sydney. Please message me to arrange a time to view in person. Original works are also accompanied by a Certificate of Authenticity from Martinez Art Dealer. Principal, Martinez Art Dealer. Surry Hills, Sydney, Australia. ABN 36 561 407 649. David Bromleys artworks have two clear focal points the. Adventure project and the. In 1960, Bromley came to. He began his career in. As a potter, but eventually turned to painting. He takes inspiration from childhood books, popular culture and artists such as Andy Warhol, Roy Lichtenstein and Glen Baxter. Bromley focuses on the physical and emotional journey of lifes travels, using the imagery of the. Comic culture to paint vivid, passionate pictures of the spills and thrills of childhood. He centres on the adolescent years where he believes life is at its most intense and its demands are at their strongest. He uses colour and figurative expressionism with nostalgia and the symbolism of Pop Art to hint at the innocence of the young. However, nothing is set in concrete and he leaves his work open to interpretation by the viewer. Even his still life pictures seem to have spontaneous movement. Bromleys nudes portray the female form in contemporary fashion, as seen in the media, and this contrast to his other work serves as a breath of fresh air. He makes use of layering and texturing techniques while employing mediums such as metallic paint and leaf combined with black outlines on bold colours. He says the creation of two such dissimilar themes helps to keep his approach fresh. Since the mid-1980s, Bromley has had more than 30 solo exhibitions nationally as well exhibiting regularly throughout. David Bromley was an Archibald Prize finalist for four consecutive years, plus 2008 and has been listed by the. S 50 most collectible artists. The item “DAVID BROMLEY At The Farm Original Polymer on Canvas 150cm x 240cm (Diptych)” is in sale since Wednesday, March 01, 2017. This item is in the category “Art\Paintings”. The seller is “martinezartdealer” and is located in Surry Hills, NSW. This item can be shipped worldwide.
  • Listed By: Dealer or Reseller
  • Signed: Signed
  • Original/Reproduction: Original
  • Subject: Children & Infants
  • Framing: Stretched and Ready to Hang
  • Painting Surface: Canvas
  • Region of Origin: Australia

DAVID BROMLEY At The Farm Original Polymer on Canvas 150cm x 240cm (Diptych)

Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed

Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed

Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed
NOTE: THERE IS NO FRAME. THE FRAME IS NOT INCLUDED IN THE SALE. An oil on canvas by Walter Shirlaw, of a man on horseback through the countryside approaching a bridge over a stream. Signed in the lower left hand side by the artist. Oil on canvas (no frame). Acquired from Palm Springs Florida. Frame – 28 1/2″ x 34″. 26″ x 20 1/2″. Frame – possibly chestnut. Probably not original to painting. No restoration under UV inspection. Appears to have a waxed back but no signed of a re-lining. Walter Shirlaw, born on August 6, 1838, was only three (fourteen according to one obituary) when he came to Hoboken, New Jersey from his place of birth, Paisley, Scotland. As a young man, he found work as a bank note engraver, a profession that he continued in Chicago, where he lived between 1865 and 1870. But already in 1861 he was exhibiting genre paintings at the National Academy of Design. In 1868, Shirlaw was a member of the Chicago Academy of Design, which would become the Art Institute of Chicago, after changing its name from the Chicago Academy of Fine Arts. Shirlaw spent the years 1870-77 in Munich, at the height of the movement led by Wilhelm Leibl in which a low-keyed, dark palette, combined with bold, virtuoso brushwork, were applied to realist subject matter. Michael Quick in Quick, Ruhmer, and West, 1978, p. 28 defined the time of Shirlaws arrival (1870-73) as an especially experimental period in progressive German painting. Shirlaws teachers, however, sided with tradition. Bartlett in American Artists and Their Works, 1889, vol. 23 mentioned that Shirlaw regarded Leibl as too realistic. Shirlaw won a scholarship at the Academy in 1874, the year in which he executed Toning the Bell (Art Institute of Chicago). Meanwhile, he was active as one of the Duveneck Boys in Polling. Sheep Shearing in the Bavarian Highlands (Private collection), painted under Lindenschmidts direction in 1876, is regarded as one of Shirlaws most important pictures. He exhibited it upon his return to America at the National Academy in the following year; in 1878, it won an Honorable Mention in Paris. In 1877, the second school year of the Art Students League, Lemuel E. Wilmarth announced that he would be returning to teach at the NAD. The appointment was endorsed by Waller: In Munich. He was regarded as one of the strongest of the American students and had the strong personality which would attract and influence others to have confidence in him, was so genuine in his artistic impulses and in his interest in the development of art in this country. Quoted by Landgren, 1940, p. The hiring of Shirlaw and William Merritt Chase seemed to signify a preference of Munich over Paris among the members of the Art Students League, however, while Chase was under Leibls spell, Shirlaw was strictly academic. During the fourth season at the ASL, Shirlaw taught composition. Thomas Wilmer Dewing replaced Shirlaw in this position in 1880. Although an Associate of the National Academy of Design, Shirlaw resigned, explaining that the Academy was too much focused on exhibitions, at the expense of teaching. He turned to the Society of American Artists, a more liberal group founded in June of 1877 in the home of Richard Watson Gilder and his wife Helena de Kay. Shirlaw himself, Augustus Saint-Gaudens, and Wyatt Eaton were the artists-founders of the SAA. Within a year, there were twenty-two members Fink and Taylor, 1975, p. This new, mostly younger group of painters collectively expressed more liberal aesthetic tastes, compared to the less progressive members of the National Academy. Doll and Richards Gallery in Boston was the setting for Shirlaws one-man exhibition in 1880. Meanwhile, he was active as an illustrator. The artist published drawings in Scribners Monthly and Harpers Magazine, and did illustrations for various books. In 1889, Shirlaw visited Crow and Cheyenne reservations to illustrate scenes from the life of these tribes. He was also a muralist and a designer of stained-glass windows. Four murals, representing The Abundance of Land and Sea, were painted for the dome of the Manufactures and Liberal Arts Building at Chicagos Worlds Columbian Exposition, where he showed popular favorites Toning the Bell and Sheep Shearing in the Bavarian Highlands, along with a pompous nude entitled Rufina (Century Association, New York). Later (1896-97), he executed Sciences, a mural for the Library of Congress. Walter Shirlaw was an American artist who helped the younger painters promote French impressionism, by founding the Society of American Artists. When Shirlaw died on December 26, 1909, another movement in American art was under way: the Ash Can School, an updated urban American realism, which utilized a painterly technique derived from the Munich School, where Shirlaw was inspired. The item “Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed” is in sale since Saturday, March 21, 2015. This item is in the category “Art\Paintings”. The seller is “upstatetreasures14″ and is located in Kingston, New York. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, South Korea, Indonesia, Taiwan, South africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Russian federation, Israel, Mexico, New Zealand, Singapore, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Philippines, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, China, Thailand, Switzerland, Brazil.
  • Medium: Oil
  • Signed?: Signed
  • Original/Reproduction: Original
  • Region of Origin: US
  • Date of Creation: 1800-1899
  • Style: Impressionism
  • Size Type/Largest Dimension: Medium (Up to 30in.)
  • Listed By: Dealer or Reseller
  • Subject: Landscape

Original Walter Shirlaw Oil On Canvas Painting. Man On Horseback. Signed